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    <name>Moving Image</name>
    <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
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      <element elementId="14">
        <name>Director</name>
        <description>Name (or names) of the person who produced the video</description>
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          <elementText elementTextId="22340">
            <text>Robert Brewster, Felix Gehm</text>
          </elementText>
        </elementTextContainer>
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        <name>Producer</name>
        <description>Name (or names) of the person who produced the video</description>
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            <text>Robert Brewster, Felix Gehm</text>
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        </elementTextContainer>
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      <element elementId="11">
        <name>Duration</name>
        <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <elementText elementTextId="22342">
            <text>53 minutes</text>
          </elementText>
        </elementTextContainer>
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      <element elementId="94">
        <name>Country</name>
        <description>The country the film is from</description>
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            <text>USA</text>
          </elementText>
        </elementTextContainer>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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            <elementText elementTextId="22333">
              <text>FEST 2001 FILMS - BOX 2</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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            <elementText elementTextId="22334">
              <text>Voices of the Sierra Tarahumara</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="60">
          <name>Date Issued</name>
          <description>Date of formal issuance (e.g., publication) of the resource.</description>
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            <elementText elementTextId="22335">
              <text>2000</text>
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          </elementTextContainer>
        </element>
        <element elementId="42">
          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="22336">
              <text>Video (VHS)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="22337">
              <text>Documentary</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="44">
          <name>Language</name>
          <description>A language of the resource</description>
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            <elementText elementTextId="22338">
              <text>English</text>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Arizona International Film Festival program film description: The Sierra Tarahumara contend with the loss of life, freedom and land at the hands of such powerful forces as the World Bank, NAFTA, and the international drug trade. Through interviews with activists, environ­mentalists and the Tarahumara themselves, we learn of narcos who burn Tarahumara forest to clear land for drug plantations, and who force the Sierra Tarahumara to cultivate marijuana and opium, most of which is imported to the United States. The now­ defunct World Bank forestry project literally paved the way for illegal logging companies to further destroy the Tarahumara land. Corrupt state police and judges offer the Sierra Tarahumara no protection from attacks on their lives and lands. However, the culture and people still survive. Some of the Sierra Tarahumara have become activists, while others who have been forced from their Sierra Madre homelands have formed a strong urban community.</text>
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          </elementTextContainer>
        </element>
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