Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Director Name (or names) of the person who produced the video Sam Taybi Producer Name (or names) of the person who produced the video Kurt Dreyer Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 73 minutes Cast Name(s) of the actor(s) in the film Kurt Dreyer, Sasha DeWeldon, Matt Dakan, Vickie Rabjohn Country The country the film is from USA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context FEST 2001 FILMS - BOX 2 Title A name given to the resource Underestimating Jake Date Issued Date of formal issuance (e.g., publication) of the resource. 2000 Format The file format, physical medium, or dimensions of the resource Video (VHS) Type The nature or genre of the resource Drama Language A language of the resource English Description An account of the resource Arizona International Film Festival program film description: Gabby drives through the hot Arizona desert in her new convertible to meet her successful music director husband in Las Vegas. When her car breaks down miles from the nearest town, she is surprised and grateful to be rescued by a silent and mysterious tow truck driver, Jake, who seems to appear out of nowhere. Partially deaf and extremely shy, Jake drives Gabby back to his broken down garage in a small, timeless town. She's curious about this scruffy loaner and is mesmerized by his brilliant guitar playing. Unhappy with her materialistic life with a philandering, self­ involved husband, Gabby finds comfort with Jake, who dreams of Nashville stardom. Music plays a major role as Willie Nelson's "Angel Flying Too Close to the Ground" inspired this quiet but powerful film shot on digital video in Quartzsite, Arizona.